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Yep, that rather ethereal vocal is all the doing of Ellie. 'Pound Cake' samples Ellie Goulding's 'Don't Say A Word' While we all know Drake's 'Too Much' was based largely around a Sampha loop, you might not know that the 'Nothing Was The Same' track 'Pound Cake' samples Ellie Goulding. The bassline - or rather, THAT - bassline comes thanks to Louis Johnson. It peakedВ at number four on the Billboard Pop Singles charts, and number seven on the Billboard R&B chart. If you're not familiar with 'I Keep Forgetting', it was released in 1982.

'Regulate' samples Michael McDonald's 'I Keep Forgetting' The 1994 song is rap at its finest, but did you know that it takes the majority of its structure from a track by Michael McDonald? The Hammersmith born soft rock star's 'I Got The' has been sampled by both Jay Z and Eminem, but most famously - and to best effect - by the Detroit rapper. 'My Name Is' samples Labi Siffre's 'I Got The.' But that iconic bassline is actually a sample. Released in 1999, the track set the standard for everything that followed from Eminem, introducing the rapper to the mainstream in an emphatic way. Plus, there aren't many other rappers who do gloom as well as Drake and that's something worth supporting, if only because it's something different than the hip-hop norm in 2013.The infectious bassline that runs throughout 'Work' is a sample taken from 1998 track 'Sail Away'. Nothing Was the Same doesn't show large amounts of growth, but the small changes to the sound and the slightly wider net his lyrics cast make it worthwhile. As far as this album goes, though, it's not much fun but it is worth exploring if you've been following Drake's progression up till now. As impressive as it is that Drake has become a star while making records that are mostly joyless and twisted up by emotions, it might be nice to hear him loosening up and having some fun now and then. The tracks that work the best on Nothing are the slow-to-the-point-of-being-static ballads like 'Own It,' 'Connect,' and '305 to My City,' which feel like the late-night emotional outpourings of a truly sad soul the songs that bubble with raw emotion and are balanced against very dark loops, like 'Wu-Tang Forever' and the one song that has some uptempo punch, the very poppy R&B groover 'Hold on, We're Going Home.' That last one shows that Drake could make great left-field R&B if he wanted to, and is a nice contrast to all the angry talk and bitter introspection that fill the rest of the record. 'Too Much,' in particular, is a brilliant combination of brag rap and quiet storm balladry that features a simply heartbreaking vocal from Sampha. It's hard to entirely write off this song, and the others that focus on his greatness, since the music is so evocative and because Drake's basic persona is still appealing.

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If growing up well-off, starring in a TV series, and hooking up early with Weezy is the bottom, we should all want to start off there. 'Started from the Bottom' is the main offender, since the idea of Drake starting from the bottom is a little ridiculous. It's good to hear him reaching out a little and expanding his concerns because his usual topics are wearing thin, especially the boasting. This time out, Drake adds to his list of family issues, as a couple tracks deal with re-establishing a relationship with his father and worrying about his mom.

Provided mostly by longtime collaborator Noah '40' Shebib, the backing is suitably melancholic and claustrophobic enough to match Drake's main lyrical themes of angry boasting, dealing with a broken heart, and being disillusioned by the lifestyle his fame has brought him. Built around sped-up samples and Wu-Tang-inspired, spooky loops, the production retains the same basic style, but is a little deeper and more foreboding. After an EP and two albums that firmly established his moody, introspective style and made him a huge star, Drake's third album, Nothing Was the Same, isn't a huge departure but it does take some steps in new directions.

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